INSTALLATIONS
Anesthesia, 2023
ANESTHESIA | Paula Marcondes de Souza | 79” X 59” X 394” | 200cm x 150cm x 1000cm | Installation | Light, copper treated with red wine, sweat, polluted water, holy water, Prozac, semen, saliva| Brazil, 2023
Illustration
Illustration
ANESTHESIA explores the relentless pursuit to avoid pain. This work combines organic and inorganic elements, including light and copper treated with red wine, sweat, polluted water, holy water, an antidepressant drug, semen, and saliva. Each component is chosen for its physical properties and the symbolism it carries in our attempt to anesthetize unpleasant emotions and sensations. Copper, a porous metal and exceptional conductor of energy, serves as the backbone of this installation. Its choice is not random; it reflects the material's ability to absorb and transmit not just electrical energy but also the emotional and spiritual energies that permeate the exhibition space. The treatment of copper with red wine, for example, refers to purification rituals associated with wine and to intoxicating aspects associated with the consumption of alcohol in general. The collection of water from the Pinheiros River, a river undergoing a depollution process but still bearing the marks of its contamination, symbolizes the ongoing struggle against toxins, both physical and emotional. This choice reflects a subtle critique of our relationship with the environment and, by extension, the ways in which we deal with the toxic aspects of ourselves, relationships, and of life in general. The installation also delves into the idea that the effort to avoid suffering can, paradoxically, make us more susceptible to it. By incorporating substances like an antidepressant drug and body fluids that are often associated with intimacy and vulnerability at first glance, but which refer to activities that can also be used to avoid emotional pain, the work challenges observers to confront their own coping strategies and to consider the implications of our choices to avoid pain. "Anesthesia" is an invitation to dive into our own depths, facing the uncomfortable truths about how we deal with pain and discomfort. Through this installation, we are invited to reflect on the ways in which we seek to anesthetize our experiences, questioning whether, in doing so, we become, in fact, more toxic to ourselves and others.
Montana I, 2023
MONTANA I I Paula Marcondes de Souza | Series Montana |70” x 80” | 178 cm x 202cm | Installation comprising 2 vídeos: “Yellowstone River” and “Air Balloons” | Montana, USA, 2023
Component: YELLOWSTONE RIVER I Paula Marcondes de Souza | Series Montana | Montana, 2023
Component: AIR BALLOONS I Paula Marcondes de Souza | Series Montana | Montana, 2023
My work is predominantly inspired by urban experiences. Yet, it is in nature that I reconnect with my essence. Montana, United States, big sky country, is my happy place. The grandeur of the mountains, the immensity of the landscape, the purity of the air and rivers, the silence of the snow, the richness of the earth, the diversity of animal life, the warmth of human connection, all come together to provide an abundant source of energy. It is here I feel deeply inspired to reconnect with that aspect of my being that is in harmony with my creator. In this work, I seek to encapsulate the essence of my experience by translating the strength and beauty of nature into a visual language that communicates the vital importance of our relationship with the natural world.
Going Home II, 2023
GOING HOME II I Paula Marcondes de Souza | Series Going Home |118” x 394” x 394”| 3m x 10m x 10m | Installation | Steel cable, light, photograph “Going Home I” on glass (27” x 16” | 60cm x 40cm | Montana, 2023), 300 metal sculptures “Going Home III – CCC” (Approx. 10” x 8” | 25cm x 20cm each, Brazil 2023) | Brazil, 2023
Sketch
Component: GOING HOME I | Series Going Home | Photograph on glass | 27” x 16” | 60cm x 40cm | Montana, 2023
Component: GOING HOME III | Series Going Home | Metal sculpture | 10” x 8” | 25cm x 20cm, Brazil 2023
Component: GOING HOME IV | Series Going Home | Metal sculpture | 9” x 7” | 23cm x 18cm, Brazil 2023
GOING HOME II invites reflection on the concept of "being at home" by exploring the layers of meaning which intertwine around our feeling of a vital human emotion. Hearts made of rusted iron represent the essence of being, guiding us home by steel cables. They symbolize the journeys we undertake often distracted and inattentive to our vital needs. The installation is created from my photograph GOING HOME I of a community in Montana, represented by mailboxes. My choice highlights the invisible connections which form the essence of community, suggesting that to 'be at home' can be found in the relationships we have with one another. Behind the paths of the hearts and the photograph of the community in Montana lies the light. The work invites introspection about the physical, emotional, and spiritual dimensions that define our sense of belonging and of refuge.