These series are not separate. They are the same question asked in different languages: what does it mean to be human and conscious in a contemporary phygital world? The research deepens and expands from one series to the next.

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Childhood Games (2025, ongoing) examines how technology shapes desire, identity, and modes of existence, from childhood gestures through to the phygital present. Within this series, The Doll House (2026) is a transparent polycarbonate structure built by hand, inhabited by phone screen figures seated on 3D printed furniture, and accompanied by a manuscript the visitor is invited to take home.

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Kitsch Glitz (2023) investigates the tensions between sophistication and excess, the sacred and the mundane, drawing on the legacy of Pop art and the work of Robert Rauschenberg and Jasper Johns.

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Amplify (2023, ongoing) transforms everyday instants into spaces of presence. Filmed with a handheld cell phone camera, without tripod, without high resolution, without technical perfection, each 90-second video is an act of attention: a breath, a meditation, an amplification of the present moment.

 

Portraits (2010, ongoing) investigates the representation of what transcends physical form and manifests as energy, presence, and essence.

 

Flags (2008, ongoing) are portraits of places and people. Each flag is a living image capable of holding a place, a person, and a history simultaneously. Each flag is born from the same practice: listening.